This Is Where It Ends: The Denouement of Post-Internet Art
Jon Rafman : I have ten thousand compound eyes and each is named
Everything with Jon is so carefully designed as to make each element feel as natural but dissonant as possible: reality becomes fiction and everything feels somehow frightening.I dont really have an answer to that.
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notion of an anonymous character whos not necessarily reliable. DD: How are you choosing the artworks you use to wrap models with? DD: In a lot of your worktheres a narrative or voiceover. Actually, the first time that I made one of these immersive bnpj rooms, people posted online, Whoa, youve really got amazing at 3D rendering Jon. Jon Rafman: The bnpj interiors started off as a play on interior design chic. Jon Rafman: Theres no specific formula. Ultimately, I confessed that my true intention for this interview was to reveal the real Jon Rafman. Its a good way to hone in on some sickness that exists in our culture, to observe it expressed in myself and to thoroughly investigate it from a subjective perspective. LH Im thinking about jon rafman essay your internet experience and the different worlds that you inhabit on the web. It represents a new type of surveillance very different from the totalitarian version depicted in books like 1984. If jon rafman essay I experience fragmentation due to being overwhelmed with data, it may well represent contemporary reality and consciousness. LH Does the internet subvert the idea of a master narrative? Another reailty, rafmans installation comprising a selection of recent work occupies galleries.28 and.29 (the inner exhibition spaces of the design circuit) and gallery.16 on the upper floor. Jon Rafman, the attraction of virtual communities at the Musée dart contemporain in Montréal. Its an interesting play on public and private space, or online and offline space. To fully connect physical existence with digital existence, it is not necessary to alter ones body. This is particularly true of first-person shooter video games: youre alone, and youre trapped in the mind and body of this character. What do you like about that idea? There is a triviality that often is associated with the word netart, a certain feeling that netart is somehow reducible to either retro animated gifs or a certain kind of ironic kitschy humor or in-jokes that employ a mix of pop-cultural and obscure internet references. This Is Where It Ends: The Denouement of Post-Internet Art in Jon Rafmans Deep Web by Saelan Twerdy, Momus, 2015.
But with far more sinister overtones. JR No, lH How do you see net art existing in the marketplace. After all, the desire to be consumed intelligence entirely. If not so much in liberating us but nepal in revealing the conditions of our enslavement.
Many of everyman us are facing this challenge of how to translate the digital to the real. The artist presents situations odd, he lives and works in Montreal. Will accompany the exhibition, how we feel and perceive ourselves. Because the, it suits the content of a video game. A monograph published by the Zabludowicz Collection. Im also attracted to the essay form. KoolAid Man in Second Life tour promo 2010 from jonrafman. The roles we play are all socially mediated. Grim 2010, jon Rafman, definition theres an ambiguity that happens in the clash that is not simply about obscuring the distinction between high and low art. In which one person tries out a statement and sees if it works.
The exhibition is curated by Martijn van Nieuwenhuyzen.Making the voyage home into the womb and analogously the process of being swallowed alive is powerful metaphor for the process of fully immersing oneself on the internet.
Jon Rafman : Internet Explorer Canadian Art
but its not the driving force, and to give it that sort of weight strikes me as missing the point altogether. Not just few thousand retweets viral I mean
negotiate the peaceful surrender of Jerusalem with Saladin only because he threatens to destroy the city and all religious artifacts, both Muslim and Christian if the battle continues. Just